NO ONE WOULD HAVE BELIEVED – NIEMAND ZOU HEBBEN GELOOFD – PERSONNE N’AURAIT CRU
HENRIQUE ALVIM CORRÊA, H. G. WELLS, RUNO LAGOMARSINO, WENDY MORRIS & MARISKE BROECKMEYER
No one would have believed is an exhibition that brings art, popular culture and politics together. It focuses on the work by two contemporary artists, Wendy Morris – working together again with singer and composer Mariske Broeckmeyer – and Runo Lagomarsino, and rethinks the legacy of colonialism and science fiction, departing from the work of Brazilian born artist Henrique Alvim Corrêa (1876-1910), best known for his astonishing illustrations for The War of The Worlds by H. G. Wells.
The exhibition is curated by Fernanda Pitta and Laurens Dhaenens.
Alvim Corrêa, who was living and working in Brussels, illustrated the limited luxury French edition of H. G. Wells’ novel that was published in Jette by L. Vandamme in 1906. The drawings gave a powerful image to the futuristic narrative that details the invasion of earth by a more technologically developed society, the Martians. Wells wrote The War of the Worlds at a time when the British Empire had already colonized most of Africa for its resources. Provocatively, the author saw an analogy between the science fiction and the history of colonialism, giving the book a strong political subtext. In the introduction, he briefly imagined how imperial Britain might one day come under attack from a race that is as mystifyingly cruel and technologically powerful as the British colonialists must have appeared to the Tasmanian aboriginals. Corrêa´s drawings visualize Wells´ dystopia, creating a repertoire of creatures, machines and landscapes that provoke because of their mix of cartoonish humor, fin-de-siècle terror and decadent sensuousness. Corrêa´s uncanny inventions are landmarks of Science-fiction imagery that have resonated vividly in Pop culture.
The work by Runo Lagomarsino, a Swedish born artist to exiled Argentinian parents, and Wendy Morris, a South African born artist, take Corrêa’s drawings as a point of departure to reflect on topics of colonialism, exploration/invasion, and the relationship between science and fiction. They invite the public to think about the persistence of colonial narratives and knowledge in our daily lives, and sheds light on the creative processes of historiography and science. Created during the COVID-19 crisis, the exhibition also addresses the “unbelievable” that is happening today, asking the public to consider the possibilities of a different present and another future – that are inextricably linked with a new vision of the past. In other words, it invites the public to create his, hers or theirs own science fiction.
As with her previous work Travelogue of the Wandering Womb. Her Fantastic Encounters and Curious Utterings: With the Matriarchal Ginkgo Tree (ALIAS, Netwerk, 2019) Wendy Morris collaborates with composer and singer Mariske Broeckmeyer to create a set of haunting audio works.
No one would have believed will be presented at Pinacoteca de São Paulo from November 13 2021 to April 11 2022. In Pinacoteca’s version, the exhibition will address the same issues but in an altered constellation that will also include Brazilian artists and an extensive display of Henrique Alvim Corrêa’s work.