The exhibition is a second, larger, iteration of No One Would Have Believed, that ran at Netwerk Aalst a year ago. The exhibition recuperates the historical work of Brazilian-Belgian artist Alvim Corrêa with special attention bestowed on his renowned illustrations of HG Wells’ War of the Worlds. The curators, Fernanda Pitta and Laurens Dhaenens invited ten contemporary artists to respond to Corrêa’s dark and fantastic visions and to expand the discussion to aspects that transverse history such as colonialism, war, violence, prejudice, fear and desire.
Wendy Morris, in collaboration with composer Mariske Broeckmeyer, is showing a new audio installation, A Hysterie of Guiné Weed and Sorrow Seed. Other artists include Alex Cerveny, Hair, Denilson Baniwa, Fernando Gutiérrez Huanchaco, Guerreiro do Divino Amor, Ilê Sartuzi, Luiz Roque, Rivane Neuenschwander, and Runo Lagomarsino.
An ambulatory library of ten chapbooks that mark a return from Cape Town to Angola. Volumes 1-3 (2022) mark the first leg, from a shrine on Signal …
A Reading with the Bodies in the medicinal garden of ‘t Gasthuys.
On March 25 the Bodies gathered at the ancient medicinal garden of the museum …
Song Sheets of A Hysterie of Guiné Weed and Sorrow Seed. Exhibition Ninguém teria acreditado, Pinacoteca Sao Paulo.
Design / Wendy Morris and Ellen Bilterest / …
The audio installation, A Hysterie of Guiné Weed and Sorrow Seed, is a part of the exhibition Ninguém teria acreditado at Pinacoteca, Sao Paulo. Curators …
A duet across the Atlantic of two esteemed weedworts with long histories of use as anti-fertility plants in West Africa and Latin America / in …
The Fieldguides are an upcoming publication series of single-essay chapbooks. They are a deep histories fragile memories collaboration with the Berlin publisher K Verlag, kunsthal Netwerk Aalst, and LUCA. The …