The exhibition is a second, larger, iteration of No One Would Have Believed, that ran at Netwerk Aalst a year ago. The exhibition recuperates the historical work of Brazilian-Belgian artist Alvim Corrêa with special attention bestowed on his renowned illustrations of HG Wells’ War of the Worlds. The curators, Fernanda Pitta and Laurens Dhaenens invited ten contemporary artists to respond to Corrêa’s dark and fantastic visions and to expand the discussion to aspects that transverse history such as colonialism, war, violence, prejudice, fear and desire.
Wendy Morris, in collaboration with composer Mariske Broeckmeyer, is showing a new audio installation, A Hysterie of Guiné Weed and Sorrow Seed. Other artists include Alex Cerveny, Hair, Denilson Baniwa, Fernando Gutiérrez Huanchaco, Guerreiro do Divino Amor, Ilê Sartuzi, Luiz Roque, Rivane Neuenschwander, and Runo Lagomarsino.
Procession of Contraceptive Plants and Forgotten Midwives / video
The Procession is a part of Nothing of Importance Occurred, a project of recuperation of…
Artistic Research Project at Middelheim Museum / Discussion between Wendy Morris and curator Pieter Boons
In residence at Middelheim Museum, Wendy Morris is exploring how knowledge of plant-based contraception has…
Journeywomen / Procession
Photo’s by Aldo Smith, student at LUCA School of Arts Brussels, of the Journeywomen passing…
Installation / Radio Hush Hush / Middelheim Museum
Summer installation Middelheim Museum Radio Hush Hush was accompanied to het huis pavilion at Middelheim…
Procession / Return Retrace Replant / Middelheim Museum
Performative Procession of Contraceptive Plants, Forgotten Midwives and Herb Women / Middelheim Museum On Saturday…
Belly Full of Blind Highways
A Letter by Wendy Morris / commissioned by KAAP and artist collective Dear, The third…