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        • Travelogues of the Wandering Womb
      • Orlando
      • !midwif
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      • I, the Ear
      • The Company Ghosts
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      • From Signal Hill to the Kamiesberg
      • From Walvis Bay to Rundu
      • Inland to Luanda
    • Works
      • What Béatrice Told the Inquisitor / 2021-24
      • A Hysterie of Guiné Weed and Sorrow Seed / 2021
      • Song Sheet
      • Travelogue of the Wandering Womb, Her Fantastic Encounters and Curious Utterings: To the Copper Mountains
        • As A Thread Winding Backwards, an Audio Eerie
        • The Company Prologue
        • A Tale of Eleven Births / 2020
        • The Company Ghosts
      • Radio Hush Hush / 2020
      • Travelogue of the Wandering Womb, Her Fantastic Encounters and Curious Utterings: With the Matriarchal Ginkgo Tree / 2019
        • The Errant Womb / 2019
      • A Tale of Eleven Births / 2019
      • Letter from Muriel / 2019
      • The Library of Books Withdrawn / 2021
      • Installation / A Tale of Eleven Births / 2019
    • Fieldguides for a Preternaturalist
    • Lost Volumes
      • By This Account
      • The Cabin
      • The Company’s Geography of Reading
    • Herball for a Midwife
  • Manifestations
    • Exhibitions
      • A Hysterie of Guiné Weed and Sorrow Seed in the exhibition Ninguém teria acreditado / 2021-22 / Pinacoteca Sao Paulo
      • No One Would Have Believed / 2020-21 / Aalst
      • Travelogue of the Wandering Womb / 2019
      • Lubumbashi Biennial VI / A Tale of Eleven Births / 2019
    • Encounters
      • Ambulatory Libraries / Fieldguide Gathering / 2022
      • Rooted Encounters / 2022
      • Botanical Bodies / 2019
    • Publications
    • Midwif – Connected site
  • Previous projects
    • This, of course, is a work of the Imagination. (Revisiting the loss of the SS. Mendi) 2015-17
      • Exhibition / This, of course, is a work of the imagination / 2017
      • Book / This, of course, is a work of the imagination
      • Film / Letter to Solomon T. Plaatjie / 2017
      • Film / Boardgame, or From the Ranks to Field Marshall / animated film
      • Film / To St Catherine’s Point 2017
      • Film / Wa van die Water / 2017
      • Film / The Legend is out there / 2017
      • Film / Madi’s Memorial / 2017
      • Typewriting / Compounded / 2017
      • Collaboration / Lab of Experimental Psychology / 2019
      • Out Loud
    • Off by Heart and Out of Breath / Sarie Marais and a Song of Longing / 2014-16
      • Exhibition / Off by Heart and Out of Breath – a Silva Rerum / 2016
      • Videogram / A Song of Longing
      • Sonogram / Incantation / 2016
      • Sonogram / Mugwort Dreaming / 2016
      • Book / Off by Heart and Out of Breath – a Silva Rerum
      • Out Loud / A wandergram for a lecture
    • The Salvation Project / 2009-13
      • Film / Heir / 2013
      • Film / Orlando’s Book / 2013
      • Film / Perth+6hrs
      • Sonogram / Absence: a sound memory / 2013
      • Exhibition / Jeu de Paume / Inventer le possible / 2014-15
      • Exhibition / Observance of faith / 2014
      • Exhibition / Implicit:Explicit:Complicit / 2013
      • Exhibition / Far from Kimberley / 2010
      • Book / Postings / 2013
    • Off the Record / 2006-8
      • Film / Off the Record / 2008
      • Exhibition / In Flanders Fields Museum / AIR / 2008
      • Book / Off the Record
      • Collaboration / Lab Experimental Psychology / 2008-10
    • Bully Beef / 2006-8
      • Film / Bully Beef / 2006
      • Festivals / Screenings / Exhibitions
      • Out Loud
  • Backstage
    • Wendy Morris
    • pdf Summary of Project, Works & Manifestations
    • Funding the project
    • Auto-Blurbs
    • PhD / Drawing on the Past – Implicit:Explicit:Complicit / 2013
  • The Project
    • The Company
      • The Wandering Womb
        • Travelogues of the Wandering Womb
      • Orlando
      • !midwif
      • Muriel
        • Muriel & The Suitcase / 2019
      • I, the Ear
      • The Company Ghosts
    • The Return
      • From Signal Hill to the Kamiesberg
      • From Walvis Bay to Rundu
      • Inland to Luanda
    • Works
      • What Béatrice Told the Inquisitor / 2021-24
      • A Hysterie of Guiné Weed and Sorrow Seed / 2021
      • Song Sheet
      • Travelogue of the Wandering Womb, Her Fantastic Encounters and Curious Utterings: To the Copper Mountains
        • As A Thread Winding Backwards, an Audio Eerie
        • The Company Prologue
        • A Tale of Eleven Births / 2020
        • The Company Ghosts
      • Radio Hush Hush / 2020
      • Travelogue of the Wandering Womb, Her Fantastic Encounters and Curious Utterings: With the Matriarchal Ginkgo Tree / 2019
        • The Errant Womb / 2019
      • A Tale of Eleven Births / 2019
      • Letter from Muriel / 2019
      • The Library of Books Withdrawn / 2021
      • Installation / A Tale of Eleven Births / 2019
    • Fieldguides for a Preternaturalist
    • Lost Volumes
      • By This Account
      • The Cabin
      • The Company’s Geography of Reading
    • Herball for a Midwife
  • Manifestations
    • Exhibitions
      • A Hysterie of Guiné Weed and Sorrow Seed in the exhibition Ninguém teria acreditado / 2021-22 / Pinacoteca Sao Paulo
      • No One Would Have Believed / 2020-21 / Aalst
      • Travelogue of the Wandering Womb / 2019
      • Lubumbashi Biennial VI / A Tale of Eleven Births / 2019
    • Encounters
      • Ambulatory Libraries / Fieldguide Gathering / 2022
      • Rooted Encounters / 2022
      • Botanical Bodies / 2019
    • Publications
    • Midwif – Connected site
  • Previous projects
    • This, of course, is a work of the Imagination. (Revisiting the loss of the SS. Mendi) 2015-17
      • Exhibition / This, of course, is a work of the imagination / 2017
      • Book / This, of course, is a work of the imagination
      • Film / Letter to Solomon T. Plaatjie / 2017
      • Film / Boardgame, or From the Ranks to Field Marshall / animated film
      • Film / To St Catherine’s Point 2017
      • Film / Wa van die Water / 2017
      • Film / The Legend is out there / 2017
      • Film / Madi’s Memorial / 2017
      • Typewriting / Compounded / 2017
      • Collaboration / Lab of Experimental Psychology / 2019
      • Out Loud
    • Off by Heart and Out of Breath / Sarie Marais and a Song of Longing / 2014-16
      • Exhibition / Off by Heart and Out of Breath – a Silva Rerum / 2016
      • Videogram / A Song of Longing
      • Sonogram / Incantation / 2016
      • Sonogram / Mugwort Dreaming / 2016
      • Book / Off by Heart and Out of Breath – a Silva Rerum
      • Out Loud / A wandergram for a lecture
    • The Salvation Project / 2009-13
      • Film / Heir / 2013
      • Film / Orlando’s Book / 2013
      • Film / Perth+6hrs
      • Sonogram / Absence: a sound memory / 2013
      • Exhibition / Jeu de Paume / Inventer le possible / 2014-15
      • Exhibition / Observance of faith / 2014
      • Exhibition / Implicit:Explicit:Complicit / 2013
      • Exhibition / Far from Kimberley / 2010
      • Book / Postings / 2013
    • Off the Record / 2006-8
      • Film / Off the Record / 2008
      • Exhibition / In Flanders Fields Museum / AIR / 2008
      • Book / Off the Record
      • Collaboration / Lab Experimental Psychology / 2008-10
    • Bully Beef / 2006-8
      • Film / Bully Beef / 2006
      • Festivals / Screenings / Exhibitions
      • Out Loud
  • Backstage
    • Wendy Morris
    • pdf Summary of Project, Works & Manifestations
    • Funding the project
    • Auto-Blurbs
    • PhD / Drawing on the Past – Implicit:Explicit:Complicit / 2013

The Project

Whoever says sugar says Brazil

posted in: The Project |

Whoever says sugar says Brazil. Whoever says Brazil says Angola. 17th century aphorism

!midwif, Angola, Brazil, the project

Contact

wendy.morris@kuleuven.be

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